tag:blogger.com,1999:blog-17949784587721491492024-03-04T20:29:49.032-08:00Green ThoughtsMeanwhile the mind, from pleasure less,<br>
Withdraws into its happiness:<br>
The mind, that ocean where each kind<br>
Does straight its own resemblance find;<br>
Yet it creates, transcending these,<br>
Far other worlds, and other seas;<br>
Annihilating all that's made<br>
To a green thought in a green shade.<br>
<br>
Andrew Marvell, "The Garden" 41-48Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.comBlogger413125tag:blogger.com,1999:blog-1794978458772149149.post-83700996156486508022014-02-15T10:45:00.001-08:002014-02-15T10:45:22.015-08:00Coda<a href="http://www.amazon.com/Made-Flesh-Sacrament-Poetics-Post-Reformation/dp/0812245881/ref=sr_1_1?s=books&ie=UTF8&qid=1391793072&sr=1-1&keywords=kimberly+johnson+made+flesh" target="_blank">Done, and done.</a>Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com2tag:blogger.com,1999:blog-1794978458772149149.post-69086860882360617162012-09-12T10:19:00.000-07:002012-09-12T10:53:21.721-07:00Full circle, with improvementsIn 2007, I started this blog to find a community. I was at the time a middle-Assistant Professor working on a critical book project and feeling keenly the absence of the kind of camaraderie and sympathy that many of us experience in graduate school--you know, that sense that we're all in this together, that we share many of the same challenges, benchmarks, and concerns. I hadn't yet found that kind of community at my institution, and the isolation was amplified by my general sense of my professional disconnectedness. I mean, when we leave grad school for the profession, we know a few people that we see at conferences from time to time, and we usually have a sense of who our critical peeps are, though we may know them primarily through their writings rather than personally, but there's certainly not a sense of real integration into the field's conversation yet, or at least I didn't have that sense. Moreover, in 2007 I was recently separated from my kids' dad, living in my parents' basement, and maintaining a very limited social circulation as I contemplated the wreckage that had been my family. <br />
<br />
It was not my best time. I spent a lot of hours in my head, which reinforced my sense of separation from all the, well, human pleasures that attracted me to the humanities in the first place.<br />
<br />
This blog was a crucial mooring line for me for those years. Through this blog, I connected not only with folks who were facing some of the same challenges and changes that I was, but also with scholars who would become my friends, scholars whose work would influence me, scholars who would give me direction as I made my way into the profession. We ain't in in alone, and perhaps counterintuitively, I have found a lovely and inspiring community in this semi-anonymous context, for which I'm deeply grateful.<br />
<br />
My life now looks different: I'm an Associate Prof who has been "honored" as of this year with a significant administrative appointment. I have colleagues in my department and in the profession at large who have grown into a community much like that nostalgic one from grad school--trusted readers, sympathetic cheerleaders, sharp interlocutors. I've remarried, a lovely partner whom I can trust with all my insecurities, and my kids are happy and well-adjusted.<br />
<br />
And as of this morning, it appears that the book that served both as center of gravity and as emblem for all my anxieties and self-doubts, the very project that launched this blog into existence, will be published.<br />
<br />
I've found of late that I don't have much to say on this blog. This is in part because, you know, I'm doing pretty well after all. And there's no narrative drama in that position. Besides, the few things that continue to exercise me are largely unbloggable. I considered for a while uncloaking, and making this blog into a kind of professional instrument. But that's sounding unappealing in its sheer self-promotion.<br />
<br />
A couple of years back, I posted <a href="http://toagreenthought.blogspot.com/2010/03/priorities.html" target="_blank">this </a>about how we plan out our time and energy. In a <i>New Yorker</i> essay David Sedaris suggested that our lives are like stoves with four burners, representing family, friends, health, and work. And you have to choose which burners to turn off for the other burners to function at full capacity. For a long time the energy I put into this blog was an essential expenditure, because it was sustaining the general well-being of the stove. But now that my stove has found a controlled balance, I'm less inclined to devote some of my time and energy to writing something here than stoking the other gratifying fires.<br />
<br />
This is all to say what is already obvious: Green Thoughts is probably fading into obsolescence. Becoming autumnal. And if I don't post another word here, I do want to take a moment to thank all the folks who visited and commented, who offered support and virtual hugs, who shared the wisdom of particular experience. I'll keep reading y'all, and continue to bask in your adroit and useful words.<br />
<br />
<br />
Circling back to silence, then, and ending where I begunne: calls for a dance, don't you think?<br />
<br />
<br />
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<br />Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com13tag:blogger.com,1999:blog-1794978458772149149.post-23511109018842461302012-05-29T15:19:00.004-07:002012-05-29T15:19:46.051-07:00The intro is dead. Long live the intro.Revision: done, yo. Definitely better, more persuasive, 25% longer, more articulate, and clearer framing of my book's argument than the earlier draft. Thanks, dismissive reviewer!<br />
<br /><br />
<br />Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com5tag:blogger.com,1999:blog-1794978458772149149.post-60645150459553443812012-05-23T22:29:00.004-07:002012-05-23T22:29:39.784-07:00Cool things.1) Out for a run tonight, getting overtaken by a massive hailstorm, with thunder and all. <br />
<br />
2) Yo-Yo Ma's recent project with Stuart Duncan, Chris Thile, and Edgar Meyer (Goat Rodeo Sessions). So good it makes me want to, I dunno, throw over this literature horseshit and make some music.<br />
<br />
3) Eating meals with smart, interesting, former-students-now-friends.<br />
<br />
4) _Luther_ on Netflix. (Thanks, Blue Cheese.)<br />
<br />
5) The library! My institution has faculty delivery, so I don't spend a lot of time in the stacks, I confess. I usually just request a call number and the book shows up magically in my office. But today I went over to get a couple of books and remembered how, when you head to the actual place where books are kept, you make sweet discoveries. The shelves next to the book you want....those shelves usually have relevant stuff that you may not have found otherwise, armed merely with your disembodied LOC number. It's like using the actual OED or 1934 Websters rather than settling for some website. Serendipity! Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-17310117355913772982012-05-21T21:57:00.002-07:002012-05-21T21:57:27.905-07:00Big plansSo I'm taking the Things on a major road trip/camping adventure for a couple of weeks this summer. We're going a long way, through very cool territory, a few states and a couple of countries. I've been planning it all out this evening, figuring out reasonable driving portions, maximizing cool adventuring in the places we set up camp. I'm so, so excited. But also a little anxious. One of the things about being a single parent is that on a trip like this all the planning falls to oneself. If something falls through, one must recalibrate on one's own. If catastrophe strikes (and I'm talking here about, say, car catastrophes), then one must deal with both catastrophe and kids capably. There's no off position on the parenting switch, no opportunity to let the other guy take over for a while. <br />
<br />
Before we depart, I must finish my work on the big anthology thing, as it's due to the publisher July 1. I really have only a 12-page intro to write, but seem not to be able to, you know, write it. Why? Because my mind is wholly occupied with re-conceiving my scholarly book's intro chapter. I'm reminded, as I re-engage with that chapter, what a lousy reviser I am. Lousy. It takes me so freaking long to write it the first time. And when I write it the first time, I've really stretched to my capacity trying to get the argument down. I'm almost incapable of returning to the scene of the crime, as it were, to shift things around. Indeed, after two days of trying to do just that, I've resigned myself this evening to the probability that I just have to rewrite the intro chapter from scratch. I'll actually have an easier time incorporating my big plans for this chapter if I start over than I will if I try to shoehorn them in. That's dispiriting. Especially since the big trip is looming right around the corner, and will virtually shut down my sustained thinking about any project for a couple of weeks. July is looking grim indeed. <br />
<br />
At least I'll go into it fueled by s'mores.Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com8tag:blogger.com,1999:blog-1794978458772149149.post-40864255110055270812012-05-04T11:16:00.000-07:002012-05-04T11:16:10.759-07:00Stop the music--<a href="http://www.rollingstone.com/music/news/beastie-boys-co-founder-adam-yauch-dead-at-48-20120504">Sad, sad news of the day.</a>Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com2tag:blogger.com,1999:blog-1794978458772149149.post-54749621193795951302012-04-30T08:19:00.001-07:002012-04-30T08:19:13.257-07:00<b>Memorial Day </b><br />
<br />
Behind the banyan trees, the mansions. Behind the mansions, the<br title="editor" />
lagoon—.<br title="editor" />
In the lagoon, a mooring of sailboats.<br />
Wind in the rigging.<br title="editor" />
Hull-slap and groan.<br />
Where is everybody?<br />
The sound of people playing in their pools—well ..., there<br title="editor" />
Isn’t any; the streets<br />
Are empty—, the moon, like a moon<br title="editor" />
Jelly, beating its slow float in the not-<br />
Quite-dark. In the gardens of the Moorings Country Club,<br title="editor" />
The lights have come on, rice paper lanterns on which are<br />
Printed cherry blossoms. O—this un-<br title="editor" />
Starred sky. And the smell of the star<br />
Jasmine, the fleshy, resplendent scent<br title="editor" />
Of the gardenia. Is this where I say, <i>I</i><br />
<i>Miss you?</i> Where I say, <i>Father, isn’t there anything</i><br title="editor" />
<i>In this evening’s long cortege of bloom, as beautiful</i><br />
<i> As it used to be?</i><br />
Like the sound of a ghost ship drifting<br title="editor" />
Through fog—like a sweet-despicable<br />
Imitation of mourning—a piteousness of doves is cooing in the<br title="editor" />
banyan trees.<br />
<br />
--Jay HoplerRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com2tag:blogger.com,1999:blog-1794978458772149149.post-53796774261771051542012-04-28T11:54:00.000-07:002012-04-28T11:54:05.570-07:00 And I was alive in the blizzard of the blossoming pear,<br />
Myself I stood in the storm of the bird-cherry tree.<br />
It was all leaflife and starshower, unerring, self-shattering power,<br />
And it was all aimed at me.<br />
<br />
What is this dire delight flowering fleeing always earth?<br />
What is being? What is truth?<br />
<br />
Blossoms rupture and rapture the air,<br />
All hover and hammer,<br />
Time intensified and time intolerable, sweetness raveling rot.<br />
It is now. It is not. <br />
(4 May 1937)<br />
<br />
--Osip Mandelstam, trans. Christian WimanRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com1tag:blogger.com,1999:blog-1794978458772149149.post-15343330595781178072012-04-27T21:58:00.005-07:002012-04-27T22:07:12.943-07:00<b>From <i>Paradise Lost</i> Book 3</b><br />
<div style="font-family: Times,"Times New Roman",serif;">
<span style="font-size: small;"><br /></span></div>
<div style="font-family: Times,"Times New Roman",serif;">
<span style="font-size: small;">Hail, holy Light, offspring of Heaven firstborn,<br />
Or of the Eternal coeternal beam<br />
May I express thee unblam'd? since God is light,<br />
And never but in unapproached light<br />
Dwelt from eternity, dwelt then in thee<br />
Bright effluence of bright essence increate.<br />
Or hear"st thou rather pure ethereal stream,<br />
Whose fountain who shall tell? before the sun,<br />
Before the Heavens thou wert, and at the voice<br />
Of God, as with a mantle, didst invest<br />
The rising world of waters dark and deep,<br />
Won from the void and formless infinite.<br />
Thee I re-visit now with bolder wing,<br />
Escap'd the Stygian pool, though long detain'd<br />
In that obscure sojourn, while in my flight<br />
Through utter and through middle darkness borne,<br />
With other notes than to the Orphean lyre<br />
I sung of Chaos and eternal Night;<br />
Taught by the heavenly Muse to venture down<br />
The dark descent, and up to re-ascend,<br />
Though hard and rare: Thee I revisit safe,<br />
And feel thy sovran vital lamp; but thou<br />
Revisit'st not these eyes, that roll in vain<br />
To find thy piercing ray, and find no dawn;<br />
So thick a drop serene hath quench'd their orbs,<br />
Or dim suffusion veil'd. Yet not the more<br />
Cease I to wander, where the Muses haunt,<br />
Clear spring, or shady grove, or sunny hill,<br />
Smit with the love of sacred song; but chief<br />
Thee, Sion, and the flowery brooks beneath,<br />
That wash thy hallow'd feet, and warbling flow,<br />
Nightly I visit: nor sometimes forget<br />
So were I equall'd with them in renown,<br />
Thy sovran command, that Man should find grace;<br />
Blind Thamyris, and blind Maeonides,<br />
And Tiresias, and Phineus, prophets old:<br />
Then feed on thoughts, that voluntary move<br />
Harmonious numbers; as the wakeful bird<br />
Sings darkling, and in shadiest covert hid<br />
Tunes her nocturnal note. Thus with the year<br />
Seasons return; but not to me returns<br />
Day, or the sweet approach of even or morn,<br />
Or sight of vernal bloom, or summer's rose,<br />
Or flocks, or herds, or human face divine;<br />
But cloud instead, and ever-during dark<br />
Surrounds me, from the cheerful ways of men<br />
Cut off, and for the book of knowledge fair<br />
Presented with a universal blank<br />
Of nature's works to me expung'd and ras'd,<br />
And wisdom at one entrance quite shut out.<br />
So much the rather thou, celestial Light,<br />
Shine inward, and the mind through all her powers<br />
Irradiate; there plant eyes, all mist from thence<br />
Purge and disperse, that I may see and tell<br />
Of things invisible to mortal sight.</span></div>
<div style="font-family: Times,"Times New Roman",serif;">
<br /></div>
--John Milton <span style="font-family: Verdana,Arial,Helvetica,sans-serif; font-size: x-small;"><br /></span><br />Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-14690256395733017542012-04-26T09:53:00.001-07:002012-04-26T09:53:28.075-07:00<dl><dd> </dd><dd>Adoro te devote, latens Deitas,</dd><dd>Quæ sub his figuris vere latitas;</dd><dd>Tibi se cor meum totum subjicit,</dd><dd>Quia te contemplans totum deficit.</dd></dl>
<dl><dd>Visus, tactus, gustus in te fallitur,</dd><dd>Sed auditu solo tuto creditur.</dd><dd>Credo quidquid dixit Dei Filius;</dd><dd>Nil hoc verbo veritátis verius.</dd></dl>
<dl><dd>In cruce latebat sola Deitas,</dd><dd>At hic latet simul et Humanitas,</dd><dd>Ambo tamen credens atque confitens,</dd><dd>Peto quod petivit latro pœnitens.</dd></dl>
<dl><dd>Plagas, sicut Thomas, non intueor:</dd><dd>Deum tamen meum te confiteor.</dd><dd>Fac me tibi semper magis credere,</dd><dd>In te spem habere, te diligere.</dd></dl>
<dl><dd>O memoriale mortis Domini!</dd><dd>Panis vivus, vitam præstans homini!</dd><dd>Præsta meæ menti de te vívere,</dd><dd>Et te illi semper dulce sapere.</dd></dl>
<dl><dd>Pie Pelicane, Jesu Domine,</dd><dd>Me immundum munda tuo sanguine:</dd><dd>Cujus una stilla salvum facere</dd><dd>Totum mundum quit ab omni scelere.</dd></dl>
<dl><dd>Jesu, quem velatum nunc aspicio,</dd><dd>Oro, fiat illud quod tam sitio:</dd><dd>Ut te revelata cernens facie,</dd><dd>Visu sim beátus tuæ gloriæ. Amen</dd><dd> </dd><dd> </dd><dd>--Thomas Aquinas </dd></dl>Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-44642246697323146752012-04-25T12:02:00.001-07:002012-04-25T12:02:16.552-07:00<table border="0" cellpadding="2" cellspacing="0"><tbody>
<tr><td valign="top" width="80%"><b><span class="TITLE">Garden Homage</span></b>
</td>
<td align="right" colspan="2" nowrap="nowrap" valign="top">
</td>
</tr>
<tr><td colspan="3"></td></tr>
<tr><td colspan="3"></td>
</tr>
<tr style="font-family: Georgia,"Times New Roman",serif;"><td colspan="2" valign="top">
<pre>Three windows are at work here, sophisticated
spaces against the day, against the light.
The sky looks as if it has been added later
to a glimpsed world as nobody saw it.
Small gaps of awkwardness between overlapping leaves
bring their time to us, as we our time
to them. The hand alone is amazing,
the skull and the owner’s hand holding it,
together on a page for fifty years,
with the earliest smile. A rope vase
of flowers returns the angels
to the ground, that still beautiful brown.</pre>
<pre> </pre>
<pre>--Medbh McGuckian </pre>
</td></tr>
</tbody></table>Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-57748741054829229022012-04-24T14:35:00.001-07:002012-04-24T14:35:35.475-07:00I don't think I've posted this one yet.From <i>Eleven Addresses to the Lord</i><br />
<br />
<div style="padding-left: 1em;">
<b>3</b> </div>
<br />
<div style="padding-left: 1em;">
Sole watchman of the flying stars, guard me </div>
<div style="padding-left: 1em;">
against my flicker of impulse lust: teach me </div>
<div style="padding-left: 1em;">
to see them as sisters & daughters. Sustain </div>
<div style="padding-left: 1em;">
my grand endeavours: husbandship & crafting. </div>
<br />
<div style="padding-left: 1em;">
Forsake me not when my wild hours come; </div>
<div style="padding-left: 1em;">
grant me sleep nightly, grace soften my dreams; </div>
<div style="padding-left: 1em;">
achieve in me patience till the thing be done, </div>
<div style="padding-left: 1em;">
a careful view of my achievement come. </div>
<br />
<div style="padding-left: 1em;">
Make me from time to time the gift of the shoulder. </div>
<div style="padding-left: 1em;">
When all hurt nerves whine shut away the whiskey. </div>
<div style="padding-left: 1em;">
Empty my heart toward Thee. </div>
<div style="padding-left: 1em;">
Let me pace without fear the common path of death. </div>
<br />
<div style="padding-left: 1em;">
Cross am I sometimes with my little daughter: </div>
<div style="padding-left: 1em;">
fill her eyes with tears. Forgive me, Lord. </div>
<div style="padding-left: 1em;">
Unite my various soul, </div>
<div style="padding-left: 1em;">
sole watchman of the wide & single stars. </div>
<br />
<br />
<i>--</i>John Berryman<i> </i>Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-44316331141577894232012-04-23T09:45:00.002-07:002012-04-23T09:45:33.105-07:00<div class="tab-content active" id="poem-top">
<h1>
<span style="font-size: small;">To Heaven</span></h1>
</div>
<span class="author"><a href="http://www.poetryfoundation.org/bio/ben-jonson"></a> </span>
<div style="padding-left: 1em; text-indent: -1em;">
Good and great God, can I not think of thee
</div>
<div style="padding-left: 1em; text-indent: -1em;">
But it must straight my melancholy be?
</div>
<div style="padding-left: 1em; text-indent: -1em;">
Is it interpreted in me disease
</div>
<div style="padding-left: 1em; text-indent: -1em;">
That, laden with my sins, I seek for ease?
</div>
<div style="padding-left: 1em; text-indent: -1em;">
Oh be thou witness, that the reins dost know
</div>
<div style="padding-left: 1em; text-indent: -1em;">
And hearts of all, if I be sad for show,
</div>
<div style="padding-left: 1em; text-indent: -1em;">
And judge me after; if I dare pretend
</div>
<div style="padding-left: 1em; text-indent: -1em;">
To ought but grace or aim at other end.
</div>
<div style="padding-left: 1em; text-indent: -1em;">
As thou art all, so be thou all to me,
</div>
<div style="padding-left: 1em; text-indent: -1em;">
First, midst, and last, converted one, and three;
</div>
<div style="padding-left: 1em; text-indent: -1em;">
My faith, my hope, my love; and in this state
</div>
<div style="padding-left: 1em; text-indent: -1em;">
My judge, my witness, and my advocate.
</div>
<div style="padding-left: 1em; text-indent: -1em;">
Where have I been this while exil'd from thee?
</div>
<div style="padding-left: 1em; text-indent: -1em;">
And whither rap'd, now thou but stoop'st to me?
</div>
<div style="padding-left: 1em; text-indent: -1em;">
Dwell, dwell here still. O, being everywhere,
</div>
<div style="padding-left: 1em; text-indent: -1em;">
How can I doubt to find thee ever here?
</div>
<div style="padding-left: 1em; text-indent: -1em;">
I know my state, both full of shame and scorn,
</div>
<div style="padding-left: 1em; text-indent: -1em;">
Conceiv'd in sin, and unto labour borne,
</div>
<div style="padding-left: 1em; text-indent: -1em;">
Standing with fear, and must with horror fall,
</div>
<div style="padding-left: 1em; text-indent: -1em;">
And destin'd unto judgment, after all.
</div>
<div style="padding-left: 1em; text-indent: -1em;">
I feel my griefs too, and there scarce is ground
</div>
<div style="padding-left: 1em; text-indent: -1em;">
Upon my flesh t' inflict another wound.
</div>
<div style="padding-left: 1em; text-indent: -1em;">
Yet dare I not complain, or wish for death
</div>
<div style="padding-left: 1em; text-indent: -1em;">
With holy Paul, lest it be thought the breath
</div>
<div style="padding-left: 1em; text-indent: -1em;">
Of discontent; or that these prayers be
</div>
<div style="padding-left: 1em; text-indent: -1em;">
For weariness of life, not love of thee. </div>
<div style="padding-left: 1em; text-indent: -1em;">
</div>
<div style="padding-left: 1em; text-indent: -1em;">
--Ben Jonson </div>Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com1tag:blogger.com,1999:blog-1794978458772149149.post-86174902855355828182012-04-21T08:57:00.000-07:002012-04-21T08:57:42.241-07:00<b style="mso-bidi-font-weight: normal;"><span style="color: black;">To Ares</span></b><br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black;">Ares—exceedingly puissant,
oppressor of chariots, golden</span></div>
<div class="MsoNormal">
<span style="color: black;">Helmeted, savior of garrisons,
powerful-spirited, strong-armed</span></div>
<div class="MsoNormal">
<span style="color: black;">Shield-bearer clad in bronze
armor, unwearied Olympian bulwark,</span></div>
<div class="MsoNormal">
<span style="color: black;">Strength of the javelin, father of
Victory, happy in battle,</span></div>
<div class="MsoNormal">
<span style="color: black;">Ally of Justic and tyrant of
enemies, leader of just men,</span></div>
<div class="MsoNormal">
<span style="color: black;">Sceptered commander of masculine
virtue, revolving your fire-bright</span></div>
<div class="MsoNormal">
<span style="color: black;">Orb through the midst of the
sevenfold path of the planets in aether</span></div>
<div class="MsoNormal">
<span style="color: black;">Where, incandescent, your coursers
maintain you above the third orbit—</span></div>
<div class="MsoNormal">
<span style="color: black;">Listen, defender of humans and
giver of flourishing youth, let</span></div>
<div class="MsoNormal">
<span style="color: black;">Shine a propitious ray from above
on the course of our lifetime,</span></div>
<div class="MsoNormal">
<span style="color: black;">Grant us your martial strength, to
the end that I may be enabled</span></div>
<div class="MsoNormal">
<span style="color: black;">Once and for all to remove
wretched cowardice far from my person,</span></div>
<div class="MsoNormal">
<span style="color: black;">Also to conquer within me the
treacherous urge of my spirit;</span></div>
<div class="MsoNormal">
<span style="color: black;">Help me as well to control the
sharp passionate temper provoking</span></div>
<div class="MsoNormal">
<span style="color: black;">Me to embark upon blood-chilling
mayhem, and give me the courage,</span></div>
<div class="MsoNormal">
<span style="color: black;">Blest, to remain in the
comfortable legal prescriptions of peacetime,</span></div>
<div class="MsoNormal">
<span style="color: black;">Thereby avoiding the conflict of
foes and a violent ending.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: black;">--Homeric Hymns, trans. Daryl Hine </span></div>Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-66318012492910748232012-04-20T22:26:00.001-07:002012-04-20T22:26:43.070-07:00<span><strong><em>The Picture of little</em> T.C. <em><br />in a Prospect of Flowers</em></strong></span><br />
<br />
<br /> <strong><em>i</em></strong><br /> See with what simplicity<br /> This Nimph begins her golden daies!<br /> In the green Grass she loves to lie,<br /> And there with her fair Aspect tames<br /> The Wilder flow'rs, and gives them names:<br /> But only with the Roses playes;<br /> And them does tell<br /> What Colour best becomes them, and what Smell.<br /><br /> <strong><em>ii</em></strong><br /> Who can foretel for what high cause<br /> This Darling of the Gods was born!<br /> Yet this is She whose chaster Laws<br /> The wanton Love shall one day fear,<br /> And, under her command severe,<br /> See his Bow broke and Ensigns torn.<br /> Happy, who can<br /> Appease this virtuous Enemy of Man!<br /><br /> <strong><em>iii</em></strong><br /> O then let me in time compound,<br /> And parly with those conquering Eyes;<br /> Ere they have try'd their force to wound,<br /> Ere, with their glancing wheels, they drive<br /> In Triumph over Hearts that strive,<br /> And them that yield but more despise.<br /> Let me be laid,<br /> Where I may see thy Glories from some Shade.<br /><br /> <strong><em>iv</em></strong><br /> Mean time, whilst every verdant thing<br /> It self does at thy Beauty charm,<br /> Reform the errours of the Spring;<br /> Make that the Tulips may have share<br /> Of sweetness, seeing they are fair;<br /> And Roses of their thorns disarm:<br /> But most procure<br /> That Violets may a longer Age endure.<br /><br /> <strong><em>v</em></strong><br /> But O young beauty of the Woods,<br /> Whom Nature courts with fruits and flow'rs,<br /> Gather the Flow'rs, but spare the Buds;<br /> Lest Flora angry at thy crime,<br /> To kill her Infants in their prime,<br /> Do quickly make th' Example Yours;<br /> And, ere we see,<br /> Nip in the blossome all our hopes and Thee.<br />
<br />
--Andrew MarvellRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-79946282270081877352012-04-19T07:46:00.002-07:002012-04-19T07:47:45.518-07:00<b>The Burning Bush</b><br />
<br />
Lizard’s shade turned torch, what thorns I bore<br />
Nomadic shepherds clipped. Still,<br />
I’ve stood, a soldier listening for the word,<br />
Attack, a prophet praying any ember be spoken<br />
Through me in this desert full of fugitives.<br />
Now, I have a voice. Entered, I am lit.<br />
Remember me for this sprouting fire,<br />
For the lash of flaming tongues that lick<br />
But do not swallow my leaves, my flimsy<br />
Branches. No ash behind, I burn to bloom.<br />
I am not consumed. I am not consumed.<br />
<br />
--Jericho BrownRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com1tag:blogger.com,1999:blog-1794978458772149149.post-28057307724492662792012-04-18T13:00:00.000-07:002012-04-18T13:01:06.585-07:00<span style="font-weight:bold;">Eve</span><br /><br /><br />If the angels came there would be no kindness they are<br /><br />after all also without mercy pity they are warriors soldiers<br /><br />of wing beak and sword griffins of the lord endlessly taking<br /><br />sides come unto all of this world to do his bidding he has<br /><br />no interest in rescue how obvious that has become he has<br /><br />no interest in the seed its vanishing its chance random choice<br /><br />of fate either ground cradled or ground down in the bird’s<br /><br />churning belly seed is food is blood is muscle is waiting<br /><br />to become flesh its own or someone else’s seed is always<br /><br />fuel in the metabolic fire the apple a womb encounters<br /><br />her teeth she taught herself to eat god taught her to bleed<br /><br /><br />--Leslie HarrisonRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-78958028918851557872012-04-17T08:51:00.000-07:002012-04-17T08:52:36.203-07:00<span style="font-weight:bold;">from <span style="font-style:italic;">My Life</span></span><br /><br />As for we who "love to be astonished"<br /><br />You spill the sugar when you lift the spoon. My father had filled an old apothecary jar with what he called "sea glass," bits of old bottles rounded and textured by the sea, so abundant on beaches. There is no solitude. It buries itself in veracity. It is as if one splashed in the water lost by one's tears. My mother had climbed into the garbage can in order to stamp down the accumulated trash, but the can was knocked off balance, and when she fell she broke her arm. She could only give a little shrug. The family had little money but plenty of food. At the circus only the elephants were greater than anything I could have imagined. The egg of Columbus, landscape and grammar. She wanted one where the playground was dirt, with grass, shaded by a tree, from which would hang a rubber tire as a swing, and when she found it she sent me. These creatures are compound and nothing they do should surprise us. I don't mind, or I won't mind, where the verb "to care" might multiply. The pilot of the little airplane had forgotten to notify the airport of his approach, so that when the lights of the plane in the night were first spotted, the air raid sirens went off, and the entire city on that coast went dark. He was taking a drink of water and the light was growing dim. My mother stood at the window watching the only lights that were visible, circling over the darkened city in search of the hidden airport. Unhappily, time seems more normative than place. Whether breathing or holding the breath, it was the same thing, driving through the tunnel from one sun to the next under a hot brown hill. She sunned the baby for sixty seconds, leaving him naked except for a blue cotton sunbonnet. At night, to close off the windows from view of the street, my grandmother pulled down the window shades, never loosening the curtains, a gauze starched too stiff to hang properly down. I sat on the windowsill singing sunny lunny teena, ding-dang-dong. Out there is an aging magician who needs a tray of ice in order to turn his bristling breath into steam. He broke the radio silence. Why would anyone find astrology interesting when it is possible to learn about astronomy. What one passes in the Plymouth. It is the wind slamming the doors. All that is nearly incommunicable to my friends. Velocity and throat verisimilitude. Were we seeing a pattern or merely an appearance of small white sailboats on the bay, floating at such a distance from the hill that they appeared to be making no progress. And for once to a country that did not speak another language. To follow the progress of ideas, or that particular line of reasoning, so full of surprises and unexpected correlations, was somehow to take a vacation. Still, you had to wonder where they had gone, since you could speak of reappearance. A blue room is always dark. Everything on the boardwalk was shooting toward the sky. It was not specific to any year, but very early. A German goldsmith covered a bit of metal with cloth in the 14th century and gave mankind its first button. It was hard to know this as politics, because it plays like the work of one person, but nothing is isolated in history--certain humans are situations. Are your fingers in the margin. Their random procedures make monuments to fate. There is something still surprising when the green emerges. The blue fox has ducked its head. The front rhyme of harmless with harmony. Where is my honey running. You cannot linger "on the lamb." You cannot determine the nature of progress until you assemble all of the relatives.<br /><br />--Lyn HejinianRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com2tag:blogger.com,1999:blog-1794978458772149149.post-42009636092812461172012-04-16T07:51:00.002-07:002012-04-16T07:52:11.011-07:00<span style="font-weight:bold;">Ambulances</span><br /><br />Closed like confessionals, they thread<br />Loud noons of cities, giving back<br />None of the glances they absorb.<br />Light glossy grey, arms on a plaque,<br />They come to rest at any kerb:<br />All streets in time are visited.<br /><br />Then children strewn on steps or road,<br />Or women coming from the shops<br />Past smells of different dinners, see<br />A wild white face that overtops<br />Red stretcher-blankets momently<br />As it is carried in and stowed,<br /><br />And sense the solving emptiness<br />That lies just under all we do,<br />And for a second get it whole,<br />So permanent and blank and true.<br />The fastened doors recede. Poor soul,<br />They whisper at their own distress;<br /><br />For borne away in deadened air<br />May go the sudden shut of loss<br />Round something nearly at an end,<br />And what cohered in it across<br />The years, the unique random blend<br />Of families and fashions, there<br /><br />At last begin to loosen. Far<br />From the exchange of love to lie<br />Unreachable inside a room<br />The traffic parts to let go by<br />Brings closer what is left to come,<br />And dulls to distance all we are.<br /><br />--Philip LarkinRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-40403272286391627932012-04-14T09:09:00.001-07:002012-04-14T09:09:54.479-07:00<span style="font-weight:bold;">Never Night</span><br /><br />You'd like it here where<br />it's never night, where the sun<br />circles, rather, until it ends<br />up where it started from,<br />east or west, rises, sinks<br />but doesn't ever set,<br />where in the summer<br />you never need to sleep<br />and all day and all night<br />the sky is a series of blues<br />you've seen only once before,<br />blues van Gogh painted<br />at the end. Where all the traffic<br />is fox and moose and bear,<br />where aspen and birch<br />bud and leaf all in one day,<br />and your sleep, when sleep<br />finally comes, is innocent,<br />spring wind through a window<br />left open now that spring<br />is passing fast and summer<br />won't stay here long before<br />the snow sweeps any green<br />away again and then it's always<br />night. You'd like that too, when<br />endless night falls and the moon<br />comes up, reads your book over<br />your shoulder, learns which dead<br />poet moves you tonight,<br />when any heat at all rises,<br />and becomes a visible thing.<br /><br />--Derick BurlesonRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-63110985793446488462012-04-13T08:07:00.001-07:002012-04-13T08:07:58.869-07:00<span style="font-weight:bold;">The Soul's Expression</span> <br /><br />With stammering lips and insufficient sound<br />I strive and struggle to deliver right<br />That music of my nature, day and night<br />With dream and thought and feeling interwound<br />And only answering all the senses round<br />With octaves of a mystic depth and height<br />Which step out grandly to the infinite<br />From the dark edges of the sensual ground.<br />This song of soul I struggle to outbear<br />Through portals of the sense, sublime and whole,<br />And utter all myself into the air:<br />But if I did it,—as the thunder-roll<br />Breaks its own cloud, my flesh would perish there,<br />Before that dread apocalypse of soul.<br /><br />--Elizabeth Barrett BrowningRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-9271081748503403722012-04-12T08:32:00.001-07:002012-04-12T08:33:52.412-07:00Congratulations<span style="font-weight:bold;">Paying Attention</span><br /><br /><br />Outside the window, rain. Well, the sound<br />of rain. Why would I start this way?<br />Because my God prefers a preamble:<br />Spool of lightning, Fist of night-blooming jasmine.<br /><br />My God can slice me clean open from head<br />to the arches of my feet, does so easily<br />with a swipe of His index fingernail, a clean<br />slice to show you the back half of me<br /><br />seen from the front. He sometimes puts me<br />back together again. But with my front half<br />gone, He licks the back wall of my throat,<br />His tongue like sweetened gasoline.<br /><br />The sound of rain against my window<br />is louder than expected, is my God<br />reminding me to pay attention. And my God<br />despises inattention and punishes me often<br /><br />for it. He strips me of my clothes and lashes<br />my back with his cat-o-nine-tails. I am<br />quick to cry, so quick to promise humility. I am<br />a liar. I am weak and a liar. And I am punished.<br /><br />What more can I tell you? What can I say<br />to explain my God? He has little tolerance<br />for hatred. He expects undying love<br />and affection. He leaves the large red<br /><br />imprints of his fist against my back,<br />sometimes flowering on my face. He showers<br />me with expectations. He lifts me up<br />to remind of my foolish fear of heights.<br /><br />--C. Dale Young<br />(who, it was announced this morning, received a 2012 Guggenheim Fellowship)Renaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-90576815111647350712012-04-11T13:12:00.006-07:002012-04-11T15:00:17.169-07:00Illuminated manuscript!<a href="http://www.blakearchive.org/blake/images/songsie.r.p5.300.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 450px; height: 750px;" src="http://www.blakearchive.org/blake/images/songsie.r.p5.300.jpg" border="0" alt="" /></a><br /><br /><br />--William BlakeRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com3tag:blogger.com,1999:blog-1794978458772149149.post-25093475915917753302012-04-10T14:38:00.001-07:002012-04-10T14:38:52.082-07:00<span style="font-weight:bold;">Prayers to the Birds</span><br /><br />Mockingbird, tanager, thrush—you liltwings,<br />you hopscotch-skippers—forgive us our calling,<br /><br />noun-bound to be proper, to freight<br />your pinions with what yokes our weight<br /><br />to gravity, law, numbers, other fables.<br />Forgive us our starry quills, our parables—<br /><br />rook, raven, crow, canary, dove—<br />our willful migration from love<br /><br />to symbol. Wind-sickles, forgive us the sins<br />visited on Icarus, his fathers and sons:<br /><br />our conceit in zeppelin and satellite, the feast<br />of false hawks, false eagles. Forgive us as priests<br /><br />in slums and picket lines forgive the church:<br />in vigilance, mining the breach—<br /><br />that sky—for something that will not be owned.<br />Cardinal, finch—forgive us our lone<br /><br />hiding behind bushes, spying you out<br />when we should be flying at your side, not<br /><br />from pride but from humility: that soaring<br />force that finds its power in adoring.<br /><br />--Melissa RangeRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com0tag:blogger.com,1999:blog-1794978458772149149.post-57435226497111664392012-04-09T20:31:00.001-07:002012-04-09T20:31:31.029-07:00<span style="font-weight:bold;">Luna Moth</span><br /><br />Pale green and pressed against the window screen,<br />shot through with field, you watch nighttime's corners<br />curl with four white eyes, your under-self unfurled<br />to my one room of word—kettle, counter,<br /><br />knife block. Having lived one of your life's<br />six nights, you leave a limp silhouette where you<br />left off—let me be the creature circling<br />your sleep. I am the most benign unknown;<br /><br />I do not touch. With what nights are left, plant<br />your wing beat in my sleep, be the only<br />hovering thing. If only you could teach me<br />survival without sustenance, unworried<br />love, how to find oneself at a window<br />one morning and think nothing of what happens next. <br /><br />--Cecily ParksRenaissance Girlhttp://www.blogger.com/profile/06243095907452011303noreply@blogger.com1